Solo Exhibitions

2013 Scene/Obscene, MJ Briggs/Anna Meliksetian Gallery, Los Angeles, CA
Angel of History, Gallery, 3A, New York, NY
I Know It When I See It, Martos Gallery, New York, NY
Fourway, Sometimes (works of art), New York, NY
2011 The Golden Age, Sassa Trülzsch, Berlin, Germany
2010 It Goes On All the Time, Sometimes (works of art), New York, NY
2008 Who Am I?, What Am I?, Where Am I?, Sassa Trülzsch, Berlin, Germany
2006 Black Noise, Sassa Trülzsch, Berlin, Germany
2003 Kathe Kollwitzplatz Lightbox Project, Berlin, Germany
2002 Berlin Childhood, Klemens Gasser and Tanja Grunert Gallery, New York, NY; Galerie 20/21, Essen, Germany
2001 Berlin Childhood, daadgalerie, Berlin, Germany
1998 Who Am I? What Am I? Where Am I?, Wooster Gardens, New York, NY; Windows,Brussels, Belgium
1997 Who Am I? What Am I? Where Am I? Telles Fine Arts, Los Angeles, California
1996 Head Shots, Art and Public, Geneva, Switzerland; Wooster Gardens, New York, NY; Galerie Moussion, Paris, France
1994 Galerie Martina Detterer, Frankfurt am Main, Germany
1993 Berliner Kindheit, Likorfabrik, Kunst-Werke Berlin, Berlin, Germany; Kunsthalle St. Gallen, St. Gallen, Switzerland
1989 The Dialectical Porn Rock, White Room, White Columns, New York, NY

Group Exhibitions

2015 Go and Play with the Giant, curated by Eva Marie Stadler and Anne Marr, Villa Stuck, Munich, Germany (fourthcoming)
2014 The Wrapping Room, in collaboration with Cara Benedetto, Chapter NY, New York, NY
Art In Pop, Le Magasin, Centre D'art Contemporain, Grenoble, France
Lost Monuments, Studio for Propositional Cinema, Düsseldorf, Germany
Evil Clowns, curated by Inke Arns, Hartware MedienKunstVerein, Dortmund, Germany
Kunst-Geschichten/Art-Histories, curated by Sabine Breitwieser, Museum der Moderne, Salzburg, Austria
The European Month of Photography, Memory Lab: The Sentimental Turn curated by Frank Wagner, Margin Gropius Bau, Berlin, Germany; Memory Lab: Photography Challenges History, curated by Achleitner Gunda, MUSA (Museum Start-Gallery Artothek), Vienna, Austria
Aura Rosenberg/John Miller, New York/Berlin, St. Petri zu Lübeck, Lübeck, Germany
Rockaway, organized by Klaus Biesenbach in collaboration with the Honolulu Bienniel, The Rockaway Beach Surf Club, Rockaway, NY
Disturbing Innocence, curated by Eric Fischl, Flag Art Foundation, New York, NY
Bad Conscience, organized by John Miller, Metro Pictures Gallery, New York, NY
Eins, Zwei, Dry Cats, Jochen Kienzle Foundation, organized by Suzanne Joelson, Berlin, Germany
2013 Love Aids Riot Sex, curated by Frank Wagner, nGbK, Berlin, Germany
Forever Painting, KW Institute for Contemporary Art, Berlin, Germany
Deconstructing Francis Bacon, Kemper Museum of Contemporary Art, Kansas City, MO
Lat.41°7''N. Long.72°19'W., organized by Bob Nickas, Martos Gallery, East Marion, NY
Hair and Skin, organized by Isaac Lyles, Derek Eller Gallery, New York, NY
Jew York, Zach Feuer Gallery, New York, NY
My Funny Valentine, curated by Nora Slade, Terminal Projects, Brooklyn, NY
White Petals Surround Your Yellow Heart, curated by Anthony Elms, Institute of Contemporary Art/University of Pennsylvania, Philadelphia, PA
2012 Flaming Creatures Julia Stoschek Collection, Düsseldorf, Germany
  Projekt Paper, curated by Gosia Wojas, Souterrain, Berlin, Germany
  Too Old for Toys, Too Young for Boys, curated by Alex Gartenfeld, OHWOW, Los Angeles, CA
  Creature from the Blue Lagoon, organized by Bob Nickas, Martos Gallery, Bridgehampton, NY
  These Transitional Spaces, curated by Seth Kelly, Franklin Street Works, Stamford, CT
  Sound Quality, Grey Area, New York, NY
2011 Über die Metapher des Wachstums, Frankfurter Kunstverein, Frankfurt am Main, Germany
2010 Sent by Mail, Galerie Barbara Weiss, Berlin, Germany
  The Sea, Sometimes (works of art), New York, NY
  Somebody Else With My Fingerprints, The Julia Stoschek Collection, Deichtorhallen, Hamburg, Germany
  Hamburger Banhof, Berlin, Germany
2009 Zeigen, eine Audiotour, curated by Karin Sander, Temporäre Kunsthalle, Berlin, Germany
  New York Stories, curated by Matt Keegan, Light Industry, Brooklyn, NY
  The Audio Show, Friedrich Petzel Gallery, New York, NY
  Octet, curated by Suzanne Anker and Peter Hristoff, Pera Museum, Istanbul, Turkey; traveled to SVA Gallery, New York, NY
  Regift, curated by John Miller, Swiss Institute, New York, NY
  Practice, Practice, Practice, curated by Jay Sanders and Michael Smith, Lora Reynolds Gallery, Austin, TX
2008 Darkside, Fotomuseum Winterthur, Zürich, Switzerland
  Degrees of Remove: Landscape and Affect, The Sculpture Center, Long Island City, NY
  Shot Spot, Geoffrey Young Gallery, Great Barrington, MA
  Too Hot Not to be Naked, Sassa Trülzsch, Berlin, Germany
  Black Noise/Exit Dark Matter, cneai = centre national de l'estampe et de l'art imprimé, Chatou, France
2007 Black Noise, MAMCO, Musee d'art Moderne et Contemporain, Geneva, Switzerland
  Stundenbuch-The Book of Hours, Sassa Trülzsch, Berlin, Germany
  Neointegrity, curated by Keith Mayerson, Derek Eller Gallery, New York, NY
  The Friends' Meeting, Sassa Trülzsch, Berlin, Germany
  ev+a, curated by Klaus Ottmann, Limerick, Ireland
2006 Exquisite Corpse, curated by Bob Nickas, Mitchell Algus Gallery, New York, NY
  The Bong Show or This Is Not a Pipe, Leslie Tonkonow Artworks + Projects, New York, NY
  Into Me/Out of Me, curated by Klaus Biesenbach, P.S.1 Contemporary Art Center, Long Island City, NY, traveled to KW Institute for Contemporary Art, Berlin, Germany, and Macro Museum of Contemporary Art, Rome, Italy
  Screening, Jeffrey Charles Gallery, London, England
  Dark Places, curated by Joshua Dector, Santa Monica Museum, Los Angeles, CA
2005 Alle-Gory, curated by Laurence Rickels, Mandarin Gallery, Los Angeles, CA
  Helden für Heute, CentrePasquArt, Kunsthaus Centre d'art, Biel Bienne, Switzerland
  Baroque and Neo Baroque, The Hell of the Beautiful, Domus Artium 2000, Salamanca, Spain
  The Zine Unbound: Kults, Werewolves and Sarcastic Hippies, curated by Trinie Dalton, Yerba Buena Center, San Francisco, CA
  Black Noise, A memorial comic book project for Steven Parrino, initiated by John Armleder, Amy Granat and Mai-Thu Perret, Ecart Booth, ArtBasel
  Blick auf Carmen (Seeing Carmen), Landesmuseum Joanneum, Graz, Austria
  Face Value, curated by Suzanne Anker, New York Academy of Science, New York, NY
2004 FACE TO FACE The F.C. Gundlach Collection, Langhans Galerie Prague, Czech Republic
  Das Wunder Mensch/Parameter of Life- International Photography, Museum of Modern Art, Passau, Germany
  Wo liegt Berlin? Fotographische Annäherungen an eine Stadt (Where is Berlin? Photographic Approaches to a City), Brotfabrik Galerie, Berlin, Germany
  Made in Berlin, curated by Zdenek Felix, Artforum, Berlin, Germany
  Aufruhr der Gefühle. Leidenschaften in der zeitgenessischen Fotografie (Passion in Contemporary Photography), Photo Museum Brauschweig, Braunschweig, Germany; traveled to Kunsthalle Goppingen, Goppingen, Germany
  Writing Images Ideas: Walter Benjamin and the Art of the Present Day, curated by Prof.Dr. Detlev Schettler and Barbara Straka, Haus am Waldsee, Berlin
  I am the Walrus, curated by Jan Avgikos, Cheim & Read Gallery, New York, NY
  Maternal Metaphors, curated by Meryl Chernick, Rochester Contemporary, Rochester, NY
  Beyond Compare: Women Photographers on Beauty, Ogilvy & Mather for Dove, Toronto, Canada, travels to Edmonton, Calgary, Vancouver, Montreal, Ottowa bb3 (Berlin Biennale 3), Martin Gropius Bau, Berlin, Germany
  Fotografie 2, Produzentengalerie, Hamburg, Germany
2003 Antonio Cardillo, Varese, Italy
  A Clear Vision: Photographic Works from the F.C. Gundlach Collection, Deichtorhalle, Hamburg Germany
  Fast Forward: 20 Years of White Rooms, White Columns, New York, NY
  Afternoon Delight, curated by Max Henry, Caren Golden Gallery, New York, NY
  Double Bind, (urated by Signe Thiell, Kanstlerhaus Bethanien, Berlin, Germany, traveled to Paula Modersohn Becker Museum, Bremen, Germany
2002 Geschichten (Histories), Salzburger Kunstverein, Salzburg, Austria
2001 Enduring Love, Klemens Gasser and Tanja Grunert Gallery, New York, NY
2000 Presume innocents, L'art contemporain et l'enfance, Muse d'art contemporain de Bordeaux, France
  Die Verletzte Diva, The Galerie im Taxispalais, Innsbruck, Austria
1999 Mugshots, curated by Saul Ostrow, Atrium Gallery, University of Connecticut
  Children of Berlin, curated by Klaus Biesenbach, P.S.1, Long Island City, NY
  Stadtluft. Der urbane Raum als Medium von Macht, Hamburger Kunstverein, Hamburg, Germany traveled to Museum Morsbroich, Leverkusen, Germany
  Dusk, Center on Contemporary Art, Seattle, WA
  Full Exposure: Contemporary Photography, New Jersey Center for Visual Arts
  Pink for Boys/Blue for Girls, NGBK, Berlin, Germany
  Berliner Kindheit, Art Resource Transfer, New York, New York
1998 Pure Essence and Presumed Innocence, Marella Arte Contemporanea,Sarnico, Italy
  Love and Desire, Musee de l'Elysee Lausanne, Lausanne Switzerland
  The Body, curated by Musee de l'Elysee, Lausanne, Skopelos, Greece
  Private Worlds, Maureen gallace, Aura Rosenberg, Sue Williams, Galerie Tanit, Munich, Germany
  AIDS WORLDS: Between Resignation and Hope, curated by Frank Wagner, Center of Contemporary Art, Geneva, Switzerland, traveled to Centro d'ArteContemporanea Ticino, Bellinzona, Switzerland
  Presumed Innocence, (curated by Jean Crutchfield), Anderson Gallery of Virginia Commonwealth University, traveled to the Contemporary Arts Center, Cincinnati
1997 Heaven, curated by Joshua Dector, P.S.1, Long Island City, New York
  On the Threshhold of the Visible, curated by Ralph Rugoff, Johnson Museum of Art, Cornell University, traveled to Maryland Institute of Art, Baltimore; Art Gallery of Ontario, Toronto; Art Gallery of Windsor; Virginia Beach Center for the Arts; Center on Contemporary Art, Seattle; Edmonton Art Gallery; Laguna Art Museum
  Gothic, curated by Christoph Grunenberg, Institute of Contemporary Art, Boston
  Someone Else With My Fingerprints, curated by Wilhelm Scharmann, David Zwirner Gallery, New York, traveled to Galerie Hauser & Wirth, Zurich; August Sander Archiv; Stiftung Kultur, Cologne; Kunstverein Munich; Kunsthaus Hamburg
1996 100 Photos, American Fine Arts, New York, New York
  Delirium, curated by W.M. Hunt, Ricco/Maresca Gallery, New York, New York
  Interventions, curated by Thomas Busch, Stiftung Starke, Berlin
  The Comic Depiction of Sex in American Art, Lisa Ungar Galerie im Haus 19, Munich, Germany
  Model Salon, organized by Alanna Heiss, Clocktower Gallery, New York
1995 In Search for a Storehouse, curated by Piotr Nathan, Nurnberger Kunstverein, Nurenberg, Germany
  Gang Warfare, curated by Michael Corris and Marjorie Myers, The MAC Foundation, Dallas; traveled to The Independent Art Space, London, England
  Club Berlin, organized by Klaus Biesenbach, XLVI Biennale di Venezia, Venice, Italy
  The Moderns, curated by Tony Payne, Feature Gallery, New York, New York
  Hetrick-Martin Benefit, Paul Morris Gallery, New York, New York
  Bettenausstellung, curated by Piotr Nathan, Hotel-Pension Nurnberger Eck, Berlin, Germany
  ittura/Immedia, curated by Peter Weibel, Neue Galerie, Graz, Austria; traveled to Mucsarnoc, Palace of Art, Budapest, Hungary
  Mapping, organized by Peter Fend, American Fine Arts, New York, New York
  Verisimilitude and the Utility of Doubt, curated by Bill Arning and Gregory Crewdson, White Columns, New York, NY
  Aura Rosenberg/John Miller, Kunstlerhaus Bethanien, Berlin, Germany
  Who Chooses Who, New Museum Benefit Show, New Museum, New York, New York
1994 Sammlung Volkman, Berlin, Germany
  Four Walls, Brooklyn, New York
  Before the Dawn's Early Light, (basement installation), Kunst-Werke, Berlin, Germany
  The Use of Pleasure, curated by Robert Nickas, Terrain Gallery, San Francisco, California
  Jet Lag, curated by Gert Rappenecker, Galerie Martina Detterer, Frankfurt, Germany
1993 Frauenkunst, Mannerkunst, Kunstverein Kippenberger, Museum Fridericianum, Kassel, Germany
  Real, Salzburger Kunstverein, Salzburg, Austria
  Go Down Stairs Diagonally, curated by Paul McCarthy, Rosamund Felsen Gallery, Los Angeles, California
  Martin Kippenberger, "Candidature for a Retrospective", organized by Roberto Ohrt, Centre Georges Pompidou, Paris, France
  Open Air, curated by Andreas Wegner, Bremen, Germany
1992 Eileen Cowin, Aura Rosenberg, Nancy Spero, Roy Boyd Gallery, Los Angeles, California
  Eternal Light, curated by Jan Riley, In Situ, Cincinnati, Ohio
  Getting to kNOw You, curated by Christoph Tannert and Dean McNeil Kunstlerhaus Bethanien
  Tatoos, Andrea Rosen Gallery, New York, New York
  Nan Goldin, Svetlana Kopystianski, Piotr Nathan, Aura Rosenberg, Werwerka & Weiss Galerie, Berlin, Germany
  The Sexual Self, Galerie Tanja Grunert, Koln, Germany
  Informationdienst, Galerie Schmitz, Kassel, Germany; traveled to Kunstlerhaus Stuttgart; Kubinski Galerie, Koln; Unfair, Koln; Galerie Barbara Weiss, Berlin; Art Acker, Berlin; Galerie Marc Jancou, Zurich; Hamburger Kunstverein, Hamburg; Galerie Barbara Gross, Munich; Galerie Anne de Villepoix, Paris, France; Grazer Kunstverein, Graz, Austria; Goethe Haus, New York, New York

  Addressing the Forbidden, curated by Alasdair Foster, Brighton Arts Festival, England
1991 Cannibal Eyes, curated by Ron Platt, MIT List Visual Arts Center, Cambridge, MA
  Bruno Brunnett Fine Arts, Berlin, Germany
  Presenting Rearwards, curated by Ralph Rugoff, Rosamund Felsen Gallery, Los Angeles, California
  Gullivers Reisen/Gulliver's Travels, Galerie Sophia Ungers, Koln, Germany Frederich Naumann Stiftung, Bonn, Germany, Amy Lipton Gallery, New York, New York
1990 The Abortion Project, curated by Chrysanne Stathakos, Simon Watson Gallery, New York, New York; Real Art Ways, Hartford, Connecticut
  Viral Infection, curated by Charles Wright, Jr., Hallwalls, Buffalo, New York
  Heart in Mouth, curated by Nick Taggart, Fahey Klein Gallery, Los Angeles, California
  All Quiet on the Western Front, curated by Antoine Candau & Girard Delsot, Paris, France
  Update, White Columns, New York, NY & Tom Cugliani Gallery, New York, NY
  Sex and Language, curated by Chrysanne Stathakos, Garnett Press, Toronoto, Canada
Nahan Contemporary Art, curated by Robert Morgan, New York, New York
  Tell It Like It Is, Fiction/Non-fiction, New York, New York
1989 Embracing Mystery, curated by Jude Schwendenwein, Souyun Yi Gallery, New York, NY American Fine Arts, New York, New York
  Fiction/Non-fiction, New York, New York
  Erotophobia, Simon Watson Gallery, New York, NY
1988 Reconciling Modes: Painting Between Poesies and Logic, curated by G. Roger Denson, Jayne Baum Gallery
New York, NY
1987 A Distanced Romance, curated by Bill Arning, Jeffrey Neale Gallery, New York, NY
  Berkshire Art Association Drawing Invitational, curated by Linda Shearer, Berkshire Museum, Pittsfield, Massachusetts
  Benefit show, New Museum of Contemporary Art
  New Visions in Contemporary Art: The RSM Company Collection, Cincinnati Art Museum,Cincinnati, Ohio
1984 4 Painters, Baskerville + Watson Gallery, New York, New York
  Cable Gallery, New York, NY
  Evolution, curated by Jay Gorney, East 7th Street Gallery, New York, New York
1983 Hallwalls, curated by Claudia Gould, Buffalo, New York
  Borrowed Time, curated by Carole Ann Klonarides, Baskerville-Watson Gallery, New York, NY
1982 The Drawing Center, New York, NY
  The Edge of Night, curated by Carole Ann Klonarides, Yves Arman Gallery, New York, NY
  7 Painters, curated by Ronny Cohen, P.S. 122, New York, NY
  Moonlighting, curated by Carole Ann Klonarides, Josef Gallery, New York, NY


Piper Marshall, The Costliness of Our Attachments, On Bad Conscience at Metro Pictures, NY, Texte Zur Kunste, Heft 94, June, pp. 237-242
Jenny Borland, Bad Conscience: A Distant Mirror, Spike, No. 39, Spring, pp 148-149
2013 Velvet Park, Tension in the Gesture, Interview with Patricia Silva, July 19th
Bomblog: The Golden Age: Aura Rosenberg, John Miller
Reviving “The Golden Age of Porn”, Sewon Christina Chung, nyc art parasites, 3/23
Das Oral: Die Mundhöhle in Kulturgeschichte und Zahnmedizin, Edited by Harnut Böhme and
Beate Slominski, Wilhelm Fink Verlag, München
2012 Bomblog: The Golden Age: Aura Rosenberg, John Miller
  Artforum Online: 500 Words, as told to Lauren O'Neill Butler, July 20
  Picture This, Christina Zück, Frieze, April, Issue 146, pp 100 - 105
  Draw it with your eyes closed: the art of the art assignment, Paper Monument, Brooklyn, NY
2011 Photo Portfolio with text by Stephanie Snyder, Fantom, Autumn Issue
  The M Word: Real Mothers in Contemporary Art,Demeter Press, edited by Myrel Chernick and Jennie Klein
  Walter Robinson, Weekend Update, artnet Magazine, January 10
2010 "The Great American (Male) Nude",Lilly Wei, Art News, December
2008 Who Am I? What Am I? Where Am I?,Hatje Cantz, photographs by the Artist with a
text by Nicolas Guagnini
2007 Barrocos y Neobarrocos (El Infierno de lo bello)/Baroque and Neo Baroque (The Hell of the Beautiful),
Exhibition catalog, DA2, Domus Artium, Salamanca Spain
  Neointegrity, Exhibition catalog, Curated by Keith Mayerson
  Open ev+s 2007 - A Sense of Place, Exhibition catalog, Curated by Klaus Ottman, Texts by Klaus Ottman and Paul M. O'Reilly
2006 Alle-Gory,Exhibition Catalog, Mandarin Gallery, Curated and text by Lawrence Rickels, Los Angeles, CA
  Dark Places,  Exhibition Catalog, Santa Monica Museum of Art.  Texts by Joshua Dector and Servo
2005 20 Jahre Kunsthalle St. Gallen 1985-2005, Catalog, Kunsthalle, St. Gallen.
  Shrift Bilder Denken: Die Kunst der Gegenwart und Walter Benjamin (Writing, Pictures, Ideas:Contemporary Art and Walter Benjamin, Exhibition Catalog, Haus am Waldsee, Berlin, Germany. Edited by Peter Herbstreuth
  Helden Heute/Heros a Jamais, Exhibition catalog, CentrePasqueArt, Curated by Dolores Denaro
  Barrocos y Neobarrocos: El Infierno de lo Bello (Baroque and Neo Baroque:The Hell of the Beautifu). Exhibition catalog, Domus Artium 2002, Salamanca, Spain
  Werewolf Express, Fanzine, The Zine Unbound: Kults, Werwolves and Sarcastic Hippies", Yerba Buena Center for the Arts, San Francisco, CA
  Blicke auf Carmen (Seeing Carmen),
  Thomas Macho, Elisabeth Bronfen, Anne Baldassari, Dominique Lobstein, Anton Holzer.  Landesmuseum Joanneum and Verlag der Buchhandlung Walter Koenig, Koln
  Esther Leslie, Radical Philosophy, "Crevices and footholds", reviewp.59/60, May/June
  Maria Brendel, ETC, "Walter Benjamin and Art of the Present Day", review pp.72-78
  Claudia Schwartz, Neue Zarcher Zeitung, "Auratransfer, Walter Benjamin als Ikone der Gegenwartskunst", January 6
2004 Wer Bietet Mehr?, Fifteen Years Deichtorhallen, Benefit auction exhibition catalog, Internationales
Haus der Photographie, Deichtorhallen, Hamburg, p.53
  Can Photography Capture our Time in Images, 25 years Bielefeld Symposia about Photography and Media 1979-2004, Essay by Martin Roman Deppner: Looking Into the Picture, pp. 90-96, Illustration p.93, Kerber Verlag, Bielefeld

  Aufruhr der Gefuhle, Exhibition Catalog, Museum for Photography, Braunschweig, Kunsthalle, Goppingen, Curated by Barbara Lauterbach with texts by Carina Herring,Wiebbke Ratzeburg and Annett Reckert. Appelhans Verlag, Braunschweig
  The New Yorker, Photograph p. 90, June 28
  Robert Nickas, Influence Magazine,
  Maternal Metaphors, Exhibition Catalog, Edited by Meryl Chernick
2003 Into the Abyss, Edited by Adam Putnam, Spring 2003, photos on pp. 27 and 45
  Fast Forward: 20 Years of White Rooms, Exhibition catalog, White Columns, New York, curated by Lauren Ross
  Permanent Food #10, photographs from "Berlin Childhood"
  Hedwig Saxenhuber, Hildegund Amanshauser, magazin 7 Geschichte(n)-(Hi)story, p.62-69
  Raimar Stange,Texte Zur Kunst,Heft 49, March, "Auszeiten, Die Austellung "Geschichten" im Salzburger Kunstverein, pp.194-196
  Ruth Noack, Camera Austria, 81/2003, "Geschichten, Salzburger Kunstverein", review p.71-72
  Memory (working title), Edited by Carolyn Christov-Bakargiev and Janet Cardiff, Thames andHudson Ltd. (forthcoming)
  Cabinet, Winter 2002/03, Issue 9, Artist Project: Praxis Dr. Kassendrup, p. 102
  Tema Celeste, Issue 95, January/February, "Berliner Kindheit", book review, p.28
2002 Christopher Phillips, Art in America, "Aura Rosenberg at Gasser & Grunert", November, No. 11, p.158
  Gerhard Frommel, Camera Austria No. 79, "Aura Rosenberg: Berliner Kindheit": p.91
  Berliner Kindheit, Steidl/D.A.A.D., photos by the artist with texts by Friedrich Meschede
  Esther Leslie, Aura Rosenberg, Nancy Princenthal, Reflections on the mutability of memories and dreams, Art on Paper, Volume 7, No. 1, September/October, Page 112, _____. Zitty, "Fotoband"
2001 Claudia Wahjudi, Brutale Idylle, Zitty Zeitschrift, 5/2001
  Matthias Reichelt, Berliner Kindheit, Kunstforum International, Volume 154, April/May
  Ronald Berg, Berliner Kindheit in Bildern, Tagesspiegel, January
  Berliner Kindheit um zweitausend, Frankfurter Allgemeine Zeitung, January 19, Page BS3
Kindheits Muster, TIP, January
  Aids hat viele Gesichter,edited by Frank Wagner, Bundeszentrale fur gesundheitliche Aufklorung, photo porfolio
2000 Présumé innocents, L’art contemporain et l’enfance, Exhibition catalog, capcMusée d’art contemporain
  de Bordeaux, curated by Marie-Laure Bernadac and Stéphanie Moisdon, with texts by Marie-Laure Bernadac, Stéphanie Moisdon, Bernard Marcadé, Jean-Charles Masséra, Eric Troncy, Joshua Decter, Mignon Nixon and Elisabeth Lebovici
  Eva Ekselius, “Jag är den jag är”, Bang, Feministisk Kulturtidskrift, Photo p.40
  Die Verletzte DivaHysterie, Körper, Technik in der Kunst des 20. Jahrhundert, exhibition catalog, Kunstverein München, Siemens Kulturprogramm, München, Städtische Galerie im Lenbachhaus, München, Galerie im Taxispalais, Innsbruck, Staatliche Kunsthalle Baden-Baden, curated by Silvia Eiblmayr, Dirk Snauwaert, Ulrich Wilmes and Matthias Winzen, with texts by Christina von Braun, Elisabeth Bronfen, Silvia Eiblmayr, Gilles Deleuze, Georges Didi-Hubermann, Peter Gorsen, Thomas Lischeid, Käte Meyer-Drawe, Irit Rogoff, Karen Sagner Dühting, Klaus Theweleit, Matthias Winzen and Slavoj Zizek
  New Observations, Winter issue, photo inside cove
1999 Grand Street, Volume 69 "Berlin"
  Michelle Grabner, "Test Family", New Art Examiner, Vol.27, No.2, Ill.cover, p.20
  Claudia Wahjudi, "Rosa fur Jungs/Hellblau fur Madchen", Kunstforum, July/August pp.344-45
  Gabriele Werner, "Die Sexualisierung des Madchens als Frau" ,Jungle World, April 18/2
  Marius Babias, "Das Dreieck des Begehrens", Eikon, Heft 26/27, p.22-30, Ill.cover
  Christian Haye (photo portfolio with text), Dutch, #20 Spring,
  Lynne Tillman, "Nude Notes", Art on Paper, Vol.3, No.3
1998 Stuart Shave, "Fusion", I-D, The Forward Issue No. 180 
  "MAN" (portfolio), ETC, Nr.6, p.12-21
  Marius Babias, "Dossier, Porn Rocks", Jungle World, Nr. 32, August 5
  Aids Worlds: Between Hope and Resignation, Exhibition Catalog, Centre D'Art Contemporain,Colors Magazine 28, p.91
  Presumed Innocence. Jean Crutchfield with essays by Kathryn Hixon and Robert Hobbs Anderson Gallery, School of the Arts, Virginia Commonwealth University, University of Washington Press Nr.16 "StadtRomantik" Photoessay with text by Claudia Wahjudi, Zitty Nr.17
1996 Marina Rosenfeld, "Johnny Came Lately", LA Weekly, May 24-30 
  Artist project, Guggenheim Magazine, Summer Issue
  Headshots (New York: Stop Over Press), photos by the artist with introduction by John Miller and stories by Lynne Tillman and Gary Indiana
1995 "The Dialectical Porn Rock," (a photo portfolio), Grand Street, No. 53
  Pittura/Immedia, exhibition catalog with essays by Peter Weibel and Thomas Dreher
1994 Interview with Roberto Ohrt, Kunstlerhaus Bethanien, July
  Timothy Martin, "To Build a Fire," BE Magazin, Vol. 1, No. 1
  Yvonne Volkart, "Medusa and Co.," Flash Art, No. 176, May/June
  "Double Exposure," organized by Robert Nickas, Bomb, June
  Christine Tresch, "Betrug und Selbsbetrug," WoZ, Zurich, May 28
  Marius Babias, "Zerstuckelte Liebesakte," Zitty Stadtzeitung, No. 8
1992 Cannibal Eyes, exhibition catalog, MIT List Visual Arts Center, Cambridge, Massachuset
  Aura Rosenberg and Cary S. Leibowitz/Candyass, exhibition catalog, I.D. Galerie
  Addressing the Forbidden, exhibition catalog, Brighton Arts Festival
  Jean Baudrillard, "Transsexuell," Rogue, No. 16: 16-7.
1991 "Skin" (interview with Jeremy Gilbert-Rolfe), Artscribe, No. 86, March/April 
  Presenting Rearwards, exhibition catalog, Rosamund Felsen Gallery
1990 Ralph Rugoff, "Body Doubles", LA Weekly, December 13
  Nancy Spector, Artscribe, June Roger Denson, Flash Art, May, review
  Joshua Decter, Arts Magazine, April, review


2011 Faculty Development Grant, Pratt Institute, New York, New York
2007 Faculty Development Grant, Pratt Institute, New York, New York
2003 Warhol Foundation, New York, NY
  Betlach Foundation, New York, NY
2000 DAAD, Deutsche Akademische Austausch Dienst, Berliner Kuenstler Program, Berlin, Germany
  Faculty Development Grant, Pratt Institute, New York, New York
1995 Art Matters Fellowship, New York, New York
1993 Studio Program, Kunstlerhaus Bethanien, Berlin Germany
1990 Fellowship in Photography, New York Foundation for the Arts, New York, New York
  Art Matters Fellowship, New York, New York